| 摘要: |
| 研究与建筑、景观密切相关的空气所引发的当代设计思维和设计方法,主要有4个方面内容:其一,“空气与中介”探讨空气分别在环境与物体的间隙
之中,在建筑的片段之间如何形成中介并发挥作用;其二,“空气与结晶”探讨空气从流动到相对凝固状态的空间隐喻,以及其如何通过套叠化、片段化等方式
生成新的空间状态;其三,“空气与视像”关注空气的显现方式,探讨以片段方式、分隔方式形成有深度的视像的途径;其四,“空气与边界”重新审视室内外
区分的方式,通过分析文化与生活形式探讨空气的边界问题。试图通过以上4条途径深化当代关于空气的型的研究,探讨新形式的可能,从而强化空气在设计史中
的定位,不断形成新的知识议题。 |
| 关键词: 风景园林 空气 型 中介 结晶 视像 边界 |
| DOI:10.19775/j.cla.2026.02.0077 |
| 投稿时间:2025-10-06修订日期:2025-11-13 |
| 基金项目:国家自然科学基金面上项目(52578007) |
|
| Type-Form of Air |
| GE Ming |
| Abstract: |
| This paper investigates contemporary design thinking and
methodologies triggered by air in close relation to architecture and landscape.
It focuses on four conceptual and methodological dimensions: First, "Air and
Mediation" examines how air operates as a mediator within the gaps between
environments and objects, as well as among architectural fragments. Second,
"Air and Crystallization" explores the spatial metaphors of air transitioning from
a flowing to a relatively solidified state, and how new spatial conditions emerge
through layering, fragmentation, and other processes. Third, "Air and Image"
focuses on how air becomes perceptible, discussing how depth-rich images can
be produced through fragmentation and separation. Fourth, "Air and Boundary"
reconsiders the distinction between interior and exterior by analyzing cultural
patterns and forms of life to reflect on the boundary conditions of air. Through
these four approaches, this paper seeks to deepen contemporary studies on the
typology of air, explore the possibilities of new formal expressions, and thereby
reinforce the position of air within design history while continually generating new
knowledge agendas |
| Key words: landscape architecture air type-form mediation crystallization image threshold |