基于戏曲中叙事创作与身体运动的江南 园林空间路径范式

The Spatial Path Paradigm of Jiangnan GardenBased on Narrative Creation and Body Movementin Traditional Chinese Opera

关键词:  风景园林  戏曲  叙事创作  身体运动  江南园 林  空间路径范式

Key words:  landscape architecture  opera  narrative creation  body movement  Jiangnan garden  spatial path paradigm

摘要:

园林与戏曲在叙事创作中以人的身体运动为共同关 注点，表现出转换时空的类似叙事效果。对园林实例和戏曲表 演的空间路径进行图解对比，得出连续转折、相间错动、闭 环聚合和多环相扣4种基础空间路径范式，并在此基础上分析 “环径”范式应对不同情境需求时的5种异变方式，进而总结 出空间范式的功能特征即折叠扩大空间表达面、模糊空间的方 向界限、控制视线焦点的聚散，指出“环径”范式可创新应用 于当下园林与戏曲的沉浸式空间设计，为研究园林与戏曲互通 的空间路径范式及设计创作提供借鉴。

Abstract:

Garden and traditional Chinese opera share a common focus on human body movements in their narrative creation, exhibiting a similar narrative effect that transforms time and space. This article compares the spatial paths of garden examples and traditional Chinese opera performances through diagrams, and obtains four basic spatial path paradigms: continuous turning, staggered movement, closed-loop aggregation, and multi loop interlocking. Based on this, it analyzes the five different ways in which the "circular path" paradigm responds to different situational needs, and summarizes the functional characteristics of the spatial paradigm, namely folding to expand the expression surface of space, blurring the directional boundaries of space, and controlling the convergence and dispersion of visual focus. It is pointed out that the "circular path" paradigm can be innovatively applied to the immersive spatial design of current gardens and operas, providing reference for the study of spatial path paradigms and design creations for the interconnection between gardens and operas.