| 摘要: |
| 圆明园四十景图中，“夹镜鸣琴”的构图非常特
别，画面大量留白，与其余建筑景物密集的诸景图咏大相径
庭。从景题解释着手，综合御制诗与样式雷图档等文献资
料，结合遗址调查，论证“夹镜”与“鸣琴”的意象及其相
生关系，从而探寻“夹镜鸣琴”略施笔墨而跻身四十景的高
超点景手法。 |
| 关键词: 风景园林 圆明园 夹镜鸣琴 园林意象 点景 |
| DOI： |
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| 基金项目: |
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| Imagery Analysis of Jiajing-Mingqin in Yuanmingyuan |
| CAI Yandan,ZHU Lei |
| Abstract: |
| The composition of the Jiajing-Mingqin scene is very
distinctive in the 40 Scenes of Yuanmingyuan. There is a lot of
blank left, which is quite different from other scenes densely
populated with buildings. This study begins with the interpretation
of the name of the scene and demonstrates the imagery and
relationship between Jiajing and Mingqin with the imperial poems,
Yangshi Lei archives, other documents and the site investigation, to
explore the superb technique of Jiajing-Mingqin. |
| Key words: landscape architecture Yuanmingyuan Jiajing-
Mingqin garden imagery titling scenic spots |
