基于莫奈绘画色彩构成的拟自然草本植物群落色彩 应用

Application of Quasi-Natural Herbaceous Plant CommunitiesColors Based on Monet's Painting Color Composition

关键词:  风景园林  拟自然草本植物群落  莫奈绘画  色彩搭配  植物群落营建

Key words:  landscape architecture  quasi-natural herbaceous plant community  Monet painting  color matching  plant community construction

摘要:

拟自然草本植物群落作为崭新的植物种植形式，以其抗逆性强、景观周期长、高生物多样性、低维护成本等优点在国际社会上受到关注。希望从莫奈绘 画作品中提取色彩组合用于拟自然草本植物群落色彩搭配中，从而提高群落观赏性，构建符合大众审美的植物景观。通过比较拟自然草本植物群落与莫奈绘画之间 的关系，利用计算机软件量化分析提取色彩组合，并应用到拟自然草本植物群落的色彩搭配设计中。研究结果有助于该种植形式在城市中的应用及推广，也能为今 后草本植物群落色彩搭配研究提供新思路。

Abstract:

As an innovative form of plant configuration, pseudo-natural herbaceous plant communities have garnered increasing attention in international academic and practical landscapes due to their notable characteristics: robust stress resistance, extended ornamental periods, high biological diversity, and low maintenance requirements. Against the backdrop of ecological urbanization and low-carbon green space construction, this plant configuration model that simulates the natural succession mechanism not only breaks through the limitations of heavy artificial traces, single seasonal expression, and low ecological efficiency in traditional greening, but also provides a sustainable solution for modern urban spaces that combines ecological resilience and aesthetic value. This study systematically investigates the optimization of color configuration in the design of quasi-natural herbaceous plant communities. Color, as the core dimension of landscape visual perception, directly affects the aesthetic value of ecological landscapes through its composition patterns. As the most intuitive visual element of urban plant landscapes, color determines the public's first impression and aesthetic experience of green space. Current practice has shown that the configuration of this type of plant generally follows the empirical paradigm, and its design process overly relies on the individual experience of the designer, resulting in significant subjectivity and discreteness in the color structure of the community, and a systematic deviation from public aesthetic cognition. Based on this, This study innovatively introduces the color composition theory of Impressionist painting into the field of plant landscape design, using Claude Monet's mid to late works as artistic prototypes, and constructs an interdisciplinary color translation mechanism, aiming to achieve innovative breakthroughs in two dimensions: enhancing the visual appeal of natural communities in the aesthetic dimension, and establishing an ecological landscape paradigm that conforms to public aesthetic cognition in the functional dimension. Monet's artistic works are renowned for their revolutionary approach to capturing transient light and chromatic dynamics, embodying a profound interplay between color and emotional resonance. Through systematic analysis of representative works such as the "Water Lilies" series and the "Haystacks" painting groups, distinctive characteristics of Monet's color application have been identified: the construction of dynamic complementary color structures through fragmented brushstrokes, the creation of multi-layered translucent textures using color superposition techniques, and the development of temporal color narratives on two-dimensional planes. Such flexible and vivid color presentation is highly compatible with the dynamic growth cycle of herbaceous plants. When comparing these painterly characteristics with the chromatic features of pseudo-natural herbaceous communities, a significant isomorphism emerges - the flowering succession of perennial herbs and seasonal succession of grasses within plant communities essentially form a dynamic chromatic symphony. The research content mainly includes the following three parts: First, a comparative visual analysis of Monet's mid to late period paintings and existing pseudonatural plant communities is conducted to identify shared chromatic patterns and structural similarities in color distribution, verifying the feasibility of applying his color combinations to community construction. Second, digital tools are utilized for the quantitative extraction of colors from Monet's paintings, establishing a oneto- one correspondence between the extracted hues and the color hierarchies of pseudo-natural herbaceous communities, and creating a color chart. Third, based on the extracted chromatic compositions and ensuring ecological suitability, pseudo-natural herbaceous plant communities are designed and configured using these art-derived color palettes. At the theoretical construction level, this study breaks through the traditional empirical design paradigm and establishes a quantitative transformation model of "artistic color-plant chromatography-spatial composition". In terms of practical application, innovative color comparison methods can quickly transform artistic inspiration into landscape design color matching schemes, enabling designers to create multiple solutions that balance ecological efficiency and visual impact. The deeper significance lies in the fact that this study is expected to promote the application of pseudo-natural herbaceous plant communities in urban greening construction. This interdisciplinary exploration has also opened up new paradigms for the theoretical exploration and practical application of plant community aesthetics, highlighting the potential of interdisciplinary collaboration between art, design, and ecology in shaping future landscape design.