| 摘要: |
| “洞天福地”仙境作为人间现实自然山川与神仙世
界紧密联系的诗性地理空间，兼具神圣性、神秘性与诗性，在
中国古代绘画中多有体现。以历史为序，通过分析相关题材画
作，从与“洞天福地”绘画息息相关的社会信仰观念演变、
绘画艺术审美习惯转向，以及民众(画家)生存空间地理环境
认知拓展三方面来挖掘绘画中“洞天福地”仙境景观的流变
缘由；在对画作景观进行分析的基础上，提取出“洞”“山
道”“林木(特别是古树)”“云气”4类主要景观元素，进一
步解读各要素在呈现洞天意象和体现道教象征意义、个体理想
精神世界方面的深层含义。 |
| 关键词: 风景园林 洞天福地 中国古代绘画 流变缘
由 景观要素 |
| DOI： |
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| 基金项目: |
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| Evolution Drives and Presented Elements of Fairyland Landscape in the "Taoism Nature Sanctuary" Theme Paintings |
| WU Hui,JIN Hexian |
| Abstract: |
| As a poetic geographic space closely connected with
the immortal world and the natural mountains and rivers in the real
world, "Taoism Nature Sanctuary" fairyland has the characteristics
of holiness, mystery and poetry, which are often reflected in ancient
Chinese paintings. Based on the history, and through the analysis of
relevant theme paintings, this paper explores the evolution drives
of the "Taoism Nature Sanctuary" landscape in the paintings from
three aspects: the change of social beliefs, the veer of aesthetic
habits of painting art, and the expansion of the cognition of the
living space and geographical environment of the people (painters),
which closely related to "Taoism Nature Sanctuary" painting.
Also on the basis of painting landscape analysis of the first part, it
extracts four major scenery elements: "cave", "Pilgrimage path",
"forest (especially old trees)" and "cloud", and further interprets
the deep meaning of each element in presenting "Taoism Nature
Sanctuary" image, embodying the symbolic meaning of Taoism and
individual ideal spiritual world. |
| Key words: landscape architecture Taoism Nature Sanctuary ancient Chinese painting evolution drive landscape element |
